Adrián Pujol (Palma, 1948) transforms painting into a form of environmental observation. Working directly in the open air in locations such as Martinazo, Santa Olalla, and Caño del Sopetón, Pujol exposes his canvases to the elements—wind, rain, and sunlight—allowing the natural forces of Doñana to participate in the painting process. As Pujol explains, “Painting in Doñana means accepting the intrusion of the unpredictable—the impossibility of control.” Art critic Joventino Reverte characterizes Pujol's work as “a moment where painting ceases to be mere representation and becomes an event: Doñana imposes its rhythm and transforms the painter’s gaze, revealing its true genius loci—the spirit of place.” Curators Milagros Maldonado and Henrique Faria highlight the project as “a profound encounter between creation and nature, where the landscape is not merely depicted but actively participates.”.